J Dilla made his MPC3000 musical.

For anyone wanting to understand why Detroit producer J Dilla is so revered more than one decade after his untimely death, a new video by journalist Estelle Caswell in the Vox “Earworm” series offers the perfect starting-point. This mini-documentary takes a close look at Dilla’s radical re-invention of drums, his passion for “low-end texture” and his highly creative, even eccentric interest in extending sounds. The Slum Village and JayLib member did it with some hardware.
The machine in question is Dilla’s Akai MPC 3000, currently on display in the National Museum of African-American History and Culture in Washington, D.C. Not unlike Jimi Hendrix’s guitar, or John Coltrane’s saxophone, Dilla’s MPC 3000 was an “extension of his self,” Caswell argues and a key to understanding his rare gift as an artist.

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